Comacode returns with a stellar two-track tech trance EP, Orbitals, delivering a high-energy fusion of raw power and hypnotic groove. This release is something special, pushing the boundaries of the genre with intricate sound design and relentless energy.

Orbitals – A driving tech uplifter packed with pulsating basslines, eerie drones, and sharp rave stabs. Dark, mysterious techno elements intertwine with an orbiting vocal adlib, creating an intense, otherworldly journey that keeps the energy soaring.

 TecTech – A deep, rolling powerhouse that builds with a thundering bass drone and hypnotic, machine-like grooves. The call-and-answer synth work keeps the tension rising, leading into an uplifting trance-infused break before diving back into a fusion of techno and tech trance textures.

With Orbitals, Comacode once again proves his mastery of the tech trance spectrum, delivering an EP that is both powerful and immersive.

FARSHID FARR & Sanderlift deliver another captivating release on Lost Kommunication Records with their latest track, Fateh. This romantic uplifter masterfully blends enchanting strings, emotive piano melodies, and soaring synths, creating an immersive atmosphere. True to its evocative title, Fateh embraces ethnic influences, offering a transcendent listening journey filled with passion, energy, and cultural depth. Perfect for uplifting trance lovers seeking a blend of heartfelt emotion and driving rhythms!

In this months spotlight we interview label artists on their musical influences, inspiration, motivation & creative processes into music production!

Over the last two years, each of these records captured a milestone in my life. Angels Are Calling was written when I first felt a glimmer of hope after a difficult period; Spirit came from the quiet, inward work of figuring out who I am without the noise; and Resurrection was the moment I realised I’d made it through and could celebrate that rebirth. When the label suggested grouping them, the word “Transcendence” immediately fit. To me it means rising above circumstance—taking every emotion, good or bad, and turning it into momentum. Musically that translates into longer arcs, soaring leads and pads that keep climbing, and transitions that feel like stepping into brighter air. I want the listener to feel lifted the way I did while writing them.

I’ve always heard them as three acts of one story. Angels Are Calling opens with ethereal vocal layers and an almost fragile melody—it’s the invitation. Spirit dives deeper with rolling bass and spacious breakdowns; it’s introspection, the ‘middle night’ where you decide what stays and what goes. Resurrection is pure release: a bigger kick, brighter supersaw lead, and those choir stabs that punch straight through the mix.

Both Angels Are Calling and Spirit hold deep personal meaning for me—they were dedicated to people I lost in my life. Writing them helped me process grief and find something beautiful within it. That emotional weight connects all three tracks, even as the energy evolves. Together they chart a curve from anticipation, through reflection, to euphoric breakthrough. Still, each track has its own colour—soft gold, deep indigo, electric white—so when you play the EP straight through there’s contrast as well as cohesion.

Blue Water was very tactile for me—wet reverb tails, pulsing low‑end, almost like being inside the tide. Transcendence is the opposite element: it’s about air and light. The arrangements breathe more, the chords are wider, and even the drums leave more headroom so the melodies can climb. It shows my more spiritual, cinematic side.

Looking ahead, I’m exploring how to blend the two—retaining the emotional lift and wide-open progressions of Transcendence while grounding them with the immersive, physical textures from Blue Water. I want to create hybrid tracks that move from the pulse of the dancefloor into something almost sacred—maybe with live strings, ambient layers, or surprising tempo shifts. It’s about offering listeners a space to feel weightless, even just for a moment, and carry that feeling with them.

For the Orbitals EP, Tech Trance has a dark side to me and a lighter techuplift side so the balance in style is maintained. Black and white like the Yin Yang sign.

Music is a transmission of a palette of colors and tones, there must be a common unity. Inspirations vary, depending on how the track is being made.

I think this genre will go a little further and even balance techtrance and hardtrance. You will soon hear the development of my sound again and what it will be we will find out shortly. Music is fun!